Piero Manzoni

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Piero Manzoni was born on 13 July 1933 in Soncino, (a village in the Po Valley of Cremona).
Growing up in Milan, he spent most of his summer days at Albisola Capo (a seaside resort on the Liguria Riviera), where he and his parents would meet up with Lucio Fontana, the founder of the Spatialism avant-garde movement.  art2

Making his debut in 1956 at the “Fiera Mercato” in the Castello Sforzesco of Soncino. The next year he went on to take part in the exposition “Movimento Arte Nucleare” at the Galleria San Fedele, Milan. in this point in time his works were…

anthropomorphic silhouettesart3

and canvases bearing imprints of ordinary everyday objects. 

In 1958 Piero Manzoni exposed with Lucio Fontana, and Enrico Baj, the founder of the Nuclear Art. All in the same year he had begun the collaboration with two young artists, Enrico Castellani and Agostino Bonalumi. In 1959 they edited the first issue of “Azimuth”, an avant-garde magazine, and founded the art gallery Azimut, Which was run by Castellani and Piero

As time past Manzoni’s way of working became more radical. His mature works explored the possibilities and limitations of the painted surface.

Lines: single line drawings done on paper, sealed in a cardboard tube, and then signed by ManzoniLine 18.82m, September 1959 1959 by Piero Manzoni 1933-1963

Bodies of Air: Balloon holds Manzoni’s breathart5

Sculpture Eggs: a simple egg signed by Manzoni’s fingerprintart6

Magic Bases: Pedestals people would stand on and become part of the artart7 BN27

But his most shocking gesture was still to come, he put up ninety cans of “Artist’s Shit” for sale for their weight in gold. Each with the net weight of thirty gramsart9

Piero Manzoni passed away due to a fatal infection on February 6th 1963, in Milan.

Source : http://www.pieromanzoni.org/EN/biography.htm

Article by Brady Myers

Extrapolation of Art

Defining art is not an easy task. Is it not just a compilation of aesthetically pleasing visuals? Must it convey a transcendental experience? Is a can of shit art? The beauty of art is that it is what it is and everything else is exactly that, everything else. Piero Manzoni put ninety cans of his excrement up for sale in 1961. Merde d’artise was sold for the daily price of gold per can. This piece explores the connections between art and human production. Other artists of the 1960’s abandoned the notion of art being confined to a gallery wall. Where do paintings end and sculptures begin? Frank Stella explored this division with his paintings being mounted three feet from the gallery wall. Minimalists such as Tony Smith worked with specific objects. Instead of painting the illusion of a box on canvas, Smith built a black box entitled Die. The interaction of art and space was tested by post-modernist artists. They were diving into the heart of art. Abandoning aesthetic concerns with political concepts.

-Tiffany Williams 2/4/2013