David Filer’s Realistic Art

Amanda Hinson

David Filer is an artist who was born in 1986, in Zimbabwe.   Filer always loved animals and began drawing them at only eight years old.  He took art in high school and focused on his passion for wildlife.  Filer started photographing animals to allow him to observe their every detail up close.  He also began falconry, again this helped Filer get closer to the animals and observe them.  He continued his education and went on to receive a Information Design honours degree, from the University of Pretoria.


David Filer is currently continuing his career in what he loves, being a wildlife artist (he focuses on African wildlife).  He draws in a style considered super-realistic.  Filer presently chooses to use graphite in his artwork.  He feels that basic black and white and the shades that fall in between can make a piece strong and intense.  The intense feel is good fit when depicting wild animals.  Filer cares for his work and wants to make sure that it shows even the smallest details.  For this reason he uses high quality Fabriano paper.

Filer considers his work to be original.  He continues using his skills in photography to help in his work.  He takes photographs and then draws from them; however, Filer makes slight alterations so that his drawings are one of a kind.  When looking at Filer’s art collection it is easy to see his work is solely his own.  He has a unique way of depicting animals that makes a person feel a connection with the animal.

One of David Filer’s great accomplishments was receiving the David Shepherd – Wildlife Artist of the Year award, in 2008.  He was the youngest artist to compete and still won against 5000 others.  In 2010, he received a “Highly Commended” for “Pangolins Prayer” (image below), in the same competition he had previously won Wildlife Artist of the Year.  Another considerable accomplishment is when Filer went on to hold his first exhibit, within hours all of his work sold.

Again in 2011, Filer won the award for David Shepherd – Wildlife Artist of the Year.  This award was based on his artwork “Forever and Ever, Amen.”  The image is below.  When commenting about receiving the award Filer said, “Winning this award is a real validation of my work.  It means so much to me to be recognised and to win this title, especially against such fantastic competition.  It is very special.”  When looking at the artwork it is not hard to see that Filer’s award was well deserved.

It is most likely the love and care that Filer has for animals, that allows him to portray so much of their beauty in his work.  Filer says that an animal’s eyes are what draws him to the animal.  He believes this is because you can see an animal’s soul through their eyes.  In fact, when it comes to trying to portray an animal he has said, “The most difficult part of the drawing are the eyes, when you get those right, the rest of the piece falls into place.”  The eyes of the animal in Filer’s artwork seem to be what connects the viewer to the animal.  Filer’s time and effort put into depicting an animal’s eyes does not go wasted; they draw the viewer in and give them an emotional connection with the work.

 

Since the awards Filer has won, he can now choose what to work on and mainly does specific orders for individuals and commissioned works.  He has artwork in Zimbabwe at several embassies, as well as all over the world.  Filer is a well known wildlife artist and he has reached the goal most artists strive for, to make their audience have a connection with their work.  As Filer continues to focus on the animals in Zimbabwe, the art community can assume they will see more great pieces come from him in the future.

 

http://www.ecoinfo.tv/asp/template.asp?p=WildlifeArtists&Blog=Yes

http://www.davidfilerart.com/index.php

http://www.johnstevenssafaris.com/community_art.php

Gregory Colbert’s Continuous Work

Amanda Hinson

Gregory Colbert is a photographer and a filmmaker from Canada.  He initially started working in film, creating documentaries on social issues.   From there Colbert went on to work in photography.  The first showing of his work was held in Switzerland, at Musee de Elsyee, in 1992.  After finishing his first exhibit, Colbert decided to travel the world, and he did so for the next ten years.  He visited places such as Antarctica, Egypt, India, Kenya, Sri Lanka, Ethiopia, Tonga, Dominica, Namibia, and Burma (Colbert).  Below is one of his works.

During Colbert’s traveling he created Ashes and Snow.  This is a continuous artwork about the relationships between humans and wild animals.  Ashes and Snow is a collective artwork including, a hour film, two shorter films, called “haikus,” and more than fifty photographs.  The images are incredible; the animals and the humans seem as though they hold a special bond between them.

The first time Ashes and Snow was shown was in Venice, at Arsenale, in 2002.  Colbert’s artwork is now shown in a Nomadic Museum (which started up in 2005).  It is a permanent housing for Ashes and Snow and it gives the exhibit the ability to follow the artist around from town to town.  Over 10 million visitors have attended Colbert’s Ashes and Snow, since it was first exhibited in Venice.  The traveling museum has been to places such as New York, Santa Monica, Mexico City, and Tokyo.

The photos in the exhibit are around 7 ft by 12 ft; such a large size image itself can really draw the audience to the piece.  A truly amazing thing about Colbert’s photography is that none of the photos have been altered digitally.  The images are truly just moments that the artist caught and captured between people and animals.

Colbert tries to show the connection between humans and animals.  Colbert’s artwork incorporates many different types of animals including, cheetahs, asian elephants, meerkats, orangutans, manatees, humpback whales, royal eagles, and many others.  Ashes and Snow depicts these animals in their natural environment, with humans in theirs, and together shows how they interact with one another.

Colbert presents the images in the Nomadic Museum by themselves.  There is no text displayed with the images.  The artist wants each viewer to have a connection with the work and not have words interfere with their own personal experience.  The images clearly show intimate moments between humans and the animals they are photographed with.

Colbert is connected to his work, and has a distinct idea that he is striving to get across to his audience.  It is clearly drawn out when Gregory Colbert said, “In exploring the shared language and poetic sensibilities of all animals, I am working towards rediscovering the common ground that once existed when people lived in harmony with animals.  The images depict a world that is without beginning or end, here or there, present or past.”  It is good to know that Colbert can still find parts of the world where animals and people do still live in harmony.

Colbert’s images show animals that many people consider wild acting almost as if a loving pets.   There are still places on earth where there is a mutual love and respect between animals and humans and these images unmistakably depict that.  One thing for certain is that as Colbert continues to work on this series there will be more unique moments caught between animals and humans.  Many people will be looking forward to future pieces by Colbert.


http://www.ashesandsnow.org/en/vision/

http://www.mymodernmet.com/profiles/blogs/gregory-colbert-ashes-and-snow