This past weekend we were able to go down to the High Museum in Atlanta to see not only Vermeer’s “Girl with the Pearl Earring” but also Rashid Johnson’s work. I was most interested in Johnson’s work after seeing an Art 21 video on his studio practice.
From the High Museum website:
Message to Our Folks is New York-based artist Rashid Johnson’s first major solo museum exhibition. Titled after a 1969 album by avant-garde jazz collective Art Ensemble of Chicago, the exhibition examines how Johnson’s work has developed over the first fourteen years of his career. Johnson (American, b. 1977) deftly works with several different media exploring the physicality of his materials to investigate the construction of identity and abstraction, both visual and conceptual. Many of Johnson’s materials refer to his childhood in Chicago during the 1970s and 80s, suggesting both personal and broader cultural connections.
While Johnson’s works are grounded in a dialogue with modern and contemporary art history, specifically abstraction and appropriation, they also give voice to an Afro-futurist narrative – an approach that combines history, science fiction, magical realism, and non-Western theories of the origins of the universe. Throughout the artwork on view, Johnson explores the work of black intellectual and cultural figures as a way to understand his role as an artist as well as the shifting nature of identity and the individual’s role in that shift. By bringing attention to difference and individuality, he attempts to deconstruct false notions of a singular black American identity.